LuxeGuru Food: Let Them Eat Cake at The Vintage Cake House, Farnham

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You would think that a gentile market town like Farnham would be awash with olde tea shoppes, but until the recent opening of Natalie Steward’s Vintage Cake House on Downing Street (previously Henny’s Café) the truth is it’s been a bit of a desert on the tea-and-cake front.

No one has a sweeter tooth than my mother, so as soon as I clocked the new signage and towering cake models in the window we were in the door and settled on the sofa. The decor is not-so-shabby chic with elegant gilt mirrors, candy-floss striped walls and distressed dressers piled high with properly vintage china by Paragon, Royal Winton and others. It’s glamorous, and chintzy without bringing you out in a rash. I especially love that the china is genuinely vintage – rather than modern-trying-to-be-retro – and everything is in amazingly pristine condition.

‘Vintage Tea’ calls to us from the Let Them Eat Cake menu, promising finger sandwiches of your choice from the main menu, plus a fruited scone with jam and clotted cream, and a slice of cake – all washed down with a pot of tea. A little disappointingly they’re out of smoked salmon, but it is approaching last orders.  Instead, I go for egg mayonnaise and rocket, while my mother has Wiltshire ham with whole grain mustard.

The pastel vintage sign and cluster of daisy-topped confections on the counter not so subliminally plant cupcakes in my mind, and I’m not leaving without one. Can we substitute cake of the day for cupcakes? Of course, no problem.

Our tea is true to its name, beautifully presented on a cornflower-strewn vintage cake stand. I especially love our heavy basket-weave teapot – with loose leaf tea, naturally. The egg mayonnaise is perfect – light, summery and super fresh; the Wiltshire ham flavoursome and off the bone, both sandwiches filled generously and properly satisfying.

The freshly baked scones are just as good. Only the cupcakes don’t quite live up to their looks. The taste’s there but they’re a little dry and on the heavy side, and mine is over baked at the bottom. But I’m replete with sandwiches and clotted cream and in this setting, with Cole Porter and Billie Holiday gently lulling me into a sugar coma, I can forgive anything. I should also admit to being a hard taskmaster when it comes to cake, having been throughly spoiled by my old schoolfriend Sue McMahon’s incredible award-winning creations. She is not the author of Cupcakes and veteran Cookery Editor of Woman’s Weekly for nothing.

The Vintage Cake House really is a breath of fresh air in Farnham and it’s hard to see how Kiara’s a few doors down can last the course unless it takes a leaf out of their book (good cake – the chocolate ganache ranks among my mother’s top ten best chocolate cakes; deathly atmosphere with unfortunate old people’s home style chairs and off-putting blinds in the window). Morello’s is good for Italian specialities (the desserts, homemade quiches and range of hams, salamis and sausages are excellent) but due to size and seating is really more delicatessen than café. Eat-in prices can be on the hefty side.

As well as reasonably priced bespoke wedding cakes and favours (cakes start at £275), The Vintage Cake House can cater for birthdays, hen parties, baby showers and corporate events.

Best of all, you can throw your very own vintage tea party starting at £14.95 per person with vintage china supplied.

The Vintage Cake House, Tel: 07891 034382

Vintage Tea £7.95 per person (served from midday to 4pm)

LuxeGuru Food: Cornwall on a Plate ~ Wild Garlic Cornish Yarg Cheese & Remembering George Perry-Smith

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Wild Garlic Cornish Yarg photos courtesy of Lynher Dairies

There are some meals you are destined always to remember – whether because of the chef, the quality of the food and culinary skill (good, or bad), location, a significant event or right of passage – and perhaps most of all, the company of your fellow diners.

I remember the first time I tasted Cornish Yarg for all of these reasons. It was circa 1985 at the Riverside in Cornwall, a restaurant with rooms in a cluster of whitewashed cottages overlooking the idyllic Helford River, then owned by the maverick and legendary chef and restaurateur, the late George Perry-Smith (now The Riverside Helford luxury self-catering accommodation). 

Perry-Smith never became a household name. Almost entirely self-taught in the kitchen, he didn’t write a single cookery book or record one interview, and only ever had one restaurant at a time. The notion of chef celebrity and reality TV with its attendant advertising deal, pots, pans and gadgets bearing his name would have been anathema to him. With his bohemian beard-and-sandals image and self-deprecating manner, he was more mad Cambridge professor than global brand. Yet despite this somewhat unorthodox profile, he is widely regarded as the father of post-war cooking in Britain, creating a new wave of cooking which influenced several generations of chefs to come.

Drawing inspiration both from his love of French cuisine and the principles of Elizabeth David, combined with his own passion for honest, undisguised flavours, effortless good taste and understanding of locale, he was able to break through the rigid, traditional conceptualisation of restaurants in 1950s Britain, and lay down a blueprint for what they could become. Crucially, he regarded eating and drinking as a natural pleasure that should be accessible to all, rather than the stuffy, straitjacketed preserve of an exclusive elite.

Perry-Smith’s uncompromising respect for raw ingredients, understanding of real hospitality and pursuit of excellence were such that his earlier restaurant, Bath-based The Hole in the Wall which he opened in 1952 and ran for 20 years (it still exists as a restaurant to this day – see here), had a deserved reputation as the most innovative restaurant outside London. The 1968 edition of The Good Food Guide described him as ‘one of very few restaurateurs in this country to whom the word genius can be applied without flattery’, and The Hole as ‘highly individual…We have here what is as common in France as it is rare here: a town which is a jewel which contains a restaurant which is a jewel.’

One can only imagine how mind-blowing it must have been to have dined at The Hole in the 50s and 60s, with radically different and unthinkably eclectic menus that were breathtaking both in their range and scale – an array of soups including Scotch broth, game soup and proper consommé, homemade pâtés, terrines and charcuterie, different hors d’oeuvre and salads, a dozen fish dishes, curries, risottos, ‘Continental and American specialities’ such as coulibiac (a Russian dish of pastry-baked fish), Hungarian goulash, chicken Maryland and Country Captain’s Stew (from Quebec), St Emilion au chocolat (a rich mousse finished with macaroons) and a huge selection of cheeses – each dish freshly prepared on the premises that day.

At the Riverside – Perry-Smith’s final restaurant – my fellow diner was Rachael, as always in those days. Our mission: to hunt down the best places to eat in Cornwall, which we began while at school even before I’d passed my driving test and continued for several years, during our gap year and subsequent holidays until we’d both left university. I didn’t know it then, but this was to be the first of a lifetime of *tasting tasting menus*, and while at the time we may not have fully appreciated the importance of Perry-Smith’s legacy to the UK restaurant scene, the exquisite quality and variety of our meal and its relaxed, unfussy elegance made it an experience I will never forget.

After untold courses – culminating in an elegant little presentation of cheeses, of which nettle-covered Yarg was one – and inevitably the most expensive tab we’d ever picked up, we could barely find our way back up the hill to the car for laughing, as much at our rotundity as the fact that the Helford, in all its unspoilt serenity, was completely and utterly pitch black.

So while creamy-crumbly Cornish Yarg with its lacy wild nettle leaf rind and delicate mushroomy taste is an old friend, I didn’t make acquaintance with its less famous younger cousin Wild Garlic Cornish Yarg Cheese until recently. I have clearly been in the Home Counties too long.

Lynher Dairies’ Wild Garlic Yarg is made to the same Caerphilly-style recipe, but has a creamier, more luxurious texture, while the wild garlic leaf rind delivers the subtlest flavour that’s very different from bulb garlic. Unlike other varieties of garlic cheese, it doesn’t so much shout garlic, as whisper it softly.

Handmade on Pengreep Farm near Ponsanooth in West Cornwall, Yarg takes its name from its original makers Alan and Jenny Gray (being their name spelt backwards) who first produced it in Withiel near Liskeard, on the edge of Bodmin Moor. In 1984 the recipe was sold to Michael and Margaret Horrell who also farmed near Bodmin and who steadily grew the business, and in 1995 the Horrells collaborated with current owner Catherine Mead until their retirement in 2006. Lynher Dairies is now one of the UK’s most successful and award-winning artisan cheese makers, processing 2 million litres of milk a year and over 200 tonnes of cheese. While this may sound like a lot, by industry standards it’s positively bijoux, which is just how Lynher Dairies like it.

Both varieties of Yarg are made in open vats using milk from the Pengreep herd of Ayrshire, Jersey and Friesian cross cows, and herds from neighbouring farms. Like the nettles, the wild garlic leaves are harvested from the woods on the farm. Come spring, when the hedges and woodlands are bursting with its vibrant greenery and pungent aroma, no less than one tonne of leaves are painstakingly picked by hand.

Once the soft white rounds of cheese have been dried, after being brined overnight, the wild garlic leaves are ‘painted’ onto the surface in concentric circles, to encourage the maturation process as well as delicately infusing the cheese. As garlic leaves are more pungent than nettles and contain more moisture, they require more time for the moulds to grow, resulting in a slightly more mature cheese which tastes as glorious as it looks.

Each variety of Yarg is quite different, so both merit a place on your cheeseboard. But if I must choose, it has to be Wild Garlic. It is just so deliciously moreish, especially in summer. Just one bite and I’m transported back to early spring days in Cornwall, and further back still to George Perry-Smith’s unique cottage restaurant.

A 900g truckle of Cornish Yarg (Wild Garlic or Traditional) costs £16.95 (including p&p) from Lynher Dairies Cheese by post and is also available from selected cheese counters. If you want to say it with cheese (certainly the best way to my heart), an exquisite heart-shaped version of Cornish Yarg is also available for £25.95. Both varieties of Yarg are suitable for vegetarians. 

LuxeGuru Food & Travel: Muse by Jonathan Cartwright at the Vanderbilt Grace Hotel, Rhode Island

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Vanderbilt Grace (photo courtesy of Vanderbilt Grace)

Embodying the quintessential elegance and decadence of America’s Gilded Age, Vanderbilt Hall – as it was then – was one of Rhode Island’s many spectacular residences or ‘summer cottages’ owned by the wealthy Vanderbilt family and other prominent 19th-century industrialists like them. In these Jazz Age party palaces, America’s political and social elite spent long, luxurious New England summers, their vanishing world immortalised by the likes of Henry James and Edith Wharton.

‘Li’l Rhody’ remains a magnet for New Yorkers escaping the heat and pace of Manhattan for the cool ocean breezes and cobbled streets of historic Newport, and a century after it was built this magnificent red-brick mansion is still synonymous with glamour and exclusivity. These days though, you don’t have to be an Astor or Kennedy to enjoy its Beaux-Arts splendour.

Christy Gallery (photo courtesy of Vanderbilt Grace)

Set in a quiet location within minutes of the waterfront and superyachts, just off vibrant Thames Street (pronounced ‘thaymz’ if you’re blending in with the locals), the property is enjoying a new incarnation as 33-bedroom boutique hotel Vanderbilt Grace under the ownership of iconic luxury brand Grace Hotels.

Christy Drawing Room (photo courtesy of Vanderbilt Grace)

Their first in the US, its relative seclusion (it’s rumoured to have housed the summer liaisons between young millionaire sportsman Alfred Gwynne Vanderbilt and his glamorous mistress Agnes O’Brien Ruiz) makes it the perfect base to relax while exploring Newport’s many cultural and historic attractions, including the immaculately preserved Bellevue mansions, art galleries, chic boutiques, and trendy bars and restaurants.

Muse Restaurant (photo courtesy of Vanderbilt Grace)

Not that you need to venture far. For informal dining there’s the nautically themed Conservatory restaurant, and in summer the Garden Terrace, where you can dine in an oasis of calm before working it off in the fitness centre, 15-metre indoor pool or outdoor plunge pool, or indulging in a facial or stress-busting Brenton Point hot stone massage in the spotless spa.

The highlight of our stay is dinner at Muse, the fine-dining restaurant under the direction of renowned Grand Chef Relais & Châteaux and Grace Hotels Chef de Cuisine, Jonathan Cartwright.

The Bar (photo courtesy of Vanderbilt Grace)

As part of the hotel’s ongoing ‘Gracification’, gone are the heavy wood panelling and gilt excesses in favour of a simpler, more elegant and muted décor, and just a hint of funkiness from the Bar’s feature lighting. The glamour of a bygone age is recalled by stunning original architectural features, enhanced by a stylish illustrative art collection belonging to previous owner Peter de Savary.

After taking in the rooftop terrace’s panoramic downtown and waterside views, we embark on the exquisite five-course menu, reasonably priced and expertly delivered by head chef Daniel Oosthof.

Hickory-Smoked Lobster

My pescetarian tweaks to the set menu are graciously accommodated without a whiff of preciousness or pretension, and New England favourites using the freshest of saltwater fish and seafood plucked straight from the ocean feature alongside European classics. The style is light and the execution precise. There’s a sublime lobster bisque with crispy lobster wonton and lobster crème fraîche, hickory-smoked lobster poached to perfection, a citrus-fresh macadamia encrusted scallop, and a faultless pan-seared halibut with a lobster ravioli, asparagus and champagne froth – each immaculately presented and accompanied by equally impressive service. The Vanderbilts would have approved.

Macadamia Encrusted Scallop

LuxeGuru was a guest of Vanderbilt Grace. Thanks also to Rhino Car Hire for cheap and hassle-free car hire in Rhode Island and Boston

Vanderbilt Grace & Muse by Jonathan Cartwright, 41 Mary Street, Newport, Rhode Island 02840 USA, Tel: +1 401 846 6200, Email: res@vanderbiltgrace.com

Room Rates (subject to season): $350– $2,450 Muse by Jonathan Cartwright (per person): Five-course menu: $95, Four-course menu $75

Rhino Car Hire prices start from around £18 per day / £132 per week for car hire in Boston www.rhinocarhire.com. Car hire provider will vary. Check terms and conditions on booking

LuxeGuru Hero Beauty Products: La Roche-Posay 50+ Sun Protection

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La Roche-Posay Anthelios XL Melt-in Cream (summer’s day at the Four Seasons Hampshire)

Being both very fair-skinned and prone to rosacea, I never EVER expose my skin to the sun – let alone burn. Wherever I am sunblock is never very far away, stashed in my handbag, car and on the bathroom shelf (I even keep spares in my carry-on just in case I forget to pack it), and in the summer or hot climes it’s accompanied by a big floppy hat and sunglasses, without exception. Don’t get me wrong, I love sunshine. What I don’t love are red blotches, wrinkles, and melanoma. If you think this regime is over the top, let’s compare wrinkles and sun damage in 10 years time.

La Roche-Posay Anthelios XL Melt-In Cream is hands down my favourite sun protection. Not only is its factor 50+ highly effective at preventing burning without being remotely lard-like, it’s also kind to my dry, ultra-sensitive skin. It comes in two versions, tinted and untinted. I especially love the tinted formula as it evens out skin tone, even when I have the worst rosacea flare-up, and gives a healthy, subtly bronzed glow.

Like a tinted moisturiser, its consistency is quite liquid and comfortable on the skin, so it doesn’t need to be massaged in and can be used both under and over makeup, and layered to conceal blemishes without becoming cakey or irritating. During the summer, or in hot or humid cities, I’m so loath to apply makeup of any kind I use it as a substitute for my regular tinted moisturiser and foundation. The untinted version is equally easy to apply, and not at all chalky. So you need have no fear of resembling a member of the Greek Chorus. (Male readers: I’d recommend moisturising first, as best results are achieved on well hydrated skin.)

There was a time when La Roche-Posay was the secret preserve of the French, but thankfully it has since made its way across the water and is now available in the UK (Boots – especially larger branches – stock a good range) and the US, although I always seem to find hitherto undiscovered LRP products when nosing around pharmacies in Europe.

Given my skin sensitivity, I’m looking forward to trying out two newly launched La Roche-Posay products specifically formulated to soothe and strengthen ultra-sensitive and allergic skin, Rosaliac AR Intense Localized Redness Intensive Serum and Toleraine Ultra Intense Soothing Care. Very helpfully, a combination of hot weather and spicy food has made my rosacea flare up nicely, so they will have their work cut out.

La Roche-Posay Anthelios XL Melt-In Cream £15 (tinted) £14.50 (untinted)

LuxeGuru Hero Beauty Products: Organic Colour Systems Hair Colour

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Post-colour Styling by Melissa Coyne, The Salon at 57 Downing Street, Farnham

Throughout my teens and twenties I didn’t once dye my hair. No going bright pink, no faux blonde for me. I have a thick mane of strong dark-brown hair with auburn tones which I’ve always worn long, apart from when I lived in Singapore and the heat and humidity made me scissor-happy. I was happy with my colour just the way it was.

Then when the greys started springing up I reached reluctantly for the bottle – specifically Organic Colour Systems by Herb UK. Originally I chose it because it’s a certified organic hair colour (as distinct from just containing a proportion of organic ingredients), doesn’t contain ammonia and is not tested on animals. But the main reason I’ve stuck with it is because I really love the colour, and even more I love the fact that people think it’s natural and perfect strangers regularly compliment me on it. A lady at a petrol station recently asked whether it’s true that redheads don’t go grey. *This redhead* doesn’t plan to.

I first discovered Organic Colour Systems at Hair Today, a small salon in Falmouth in Cornwall. Following the golden rule of going lighter as you get older – thus avoiding the not-so-flattering Morticia look – over time I ended up with a restrained take on Titian auburn (I like to think) which fades at the ends to a dark strawberry blonde. It’s pretty close to my natural colour as a child.

Few salons offer organic colour and it’s always surprised me that demand isn’t greater, given the potential health issues with what are really quite nasty chemicals, allergy issues, and the ever-growing demand for natural products in the beauty industry. When my mother moved away from Cornwall and I was no longer heading south most weekends, I struggled to find a new salon, even in London.

Things got off to a good start at Karine Jackson, but went badly wrong when I emerged from the salon one day looking like I’d stepped under a decorator’s ladder. They did undo the worst of the damage when I went back, but the colour just wasn’t taking properly any more and their constant enquiries into the state of my health and insistence that I must be on some kind of medication which was interfering with the chemicals didn’t help.

I tried closer to home at Peter Jones in Woking, but had even worse experiences (banding and increasingly crazy development times and reapplications to compensate for the fact it wasn’t being applied correctly). Not to mention a very dodgy haircut, executed in such an ad hoc way as to be the work of either a genius or a madman (it was not the former). I am thankful hairdressing is not plastic surgery.

After using the same product for years, I couldn’t understand why I was suddenly experiencing so many problems. Hair is so emotive and has always been so much a part of my sense of identity. Given how much I love my colour, I didn’t want to switch to a non-organic product simply to make life easier for my hairdresser.

Then I discovered Elements in Oxted, Kent. It’s an hour’s drive from me, but I’d happily travel twice the distance. Even before I set foot inside the door, they took time to listen to the problems I’d experienced and went all out to find a solution. On my first visit I had a porosity treatment to make sure the colour took evenly, the first time that had ever been applied (subsequently I’ve had a pre-colour conditioning treatment using Power Build Reconstructor and Revamp Reconstructor each visit, which has made a huge difference to its softness and shine).

Quite rightly Sally didn’t want to make changes to the formula I’d acquired from the previous salon until she’d seen how it turned out for herself. The colour took much better than before, but there still wasn’t sufficient lift. My natural colour being so much darker meant it needed to be adjusted. For my next visit – which was complimentary – she arranged for Chloe, a product expert from Organic Colour Systems, to oversee my treatment and make the necessary tweaks.

Chloe spent a lot of time with me asking exactly what I wanted from my colour, how I wanted it to wear, and explaining some of the technical differences between applying organic colour and mainstream colour – they are not the same animal. The contrast with my previous experiences could not have been starker. The problem was not the product, and it was not me. It was simply a matter of getting the formula right, applying it correctly, and reviewing it on a regular basis to take into account fade (which varies according to sun exposure) and tonal variations between the crown and longer lengths to ensure a natural, integrated look.

Now when I go back for a retouch, I don’t have that sense of dread. I know my colour is in safe hands, and if for any reason adjustments need to be made they’ll be made intelligently, with a full understanding of both the product and my needs, not as if contemplating some unfathomable mystery.

In the end it really wasn’t so difficult. It just took someone to care sufficiently. Thank you Elements – and especially Sally – for caring, and for giving me my colour back.

Elements Hair & Beauty Salon, 34 Station Road East, Oxted, Surrey, RH8 0PG Telephone: 01883 714072

The Rod & Line: Great Cornish Seafood at the Port Eliot Festival 2012

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The Rod & Line Sweet Chilli Crab Claws

When a Michelin starred chef raves about pub food, you take note. No sooner had Lime Wood’s Angela Hartnett mentioned – as an aside during her food demonstration at this year’s Port Eliot Festival - the exceptional fresh Cornish crab she’d eaten last summer (she described it as some of the best she’d eaten in a long time), than it was on my food-to-do list.

Luckily for me, I didn’t have long to wait. The Rod & Line is based in the small village of Tideford, a couple of miles down the road from Port Eliot, and specialises in seafood, with crab and scallops being particular favourites among locals. After Angela’s demonstration I hot-footed it down to their tent to find out what I’d been missing.

There was fresh local haddock, scallops in white wine and garlic butter sauce, and king prawns in garlic. But my heart was set on the sweet chilli crab with crusty bread. For a moment I dithered over £15 for ‘festival food’, fearing an upmarket sandwich with the flaked pre-cooked meat of a few claws and a drizzle of sauce between two slices of baguette. I could not have been more wrong.

Choice made, I sat in the Cornish sunshine clutching my order number on a bright yellow seaside spade, and drank up the Festival atmosphere while the crab was cooked to order. My wait was rewarded with an entire paper plateful of crab claws, as good as any seafood I’ve eaten at Rick Stein’s, and easily enough for two or a greedy portion for one, served simply with two chunks of fresh hot baguette to mop up the sauce.

Sea-fresh and perfectly cooked, the succulent white flesh gleamed proudly in plentiful sweet sticky sauce and was perfection washed down with Tribute ale, the bronze-hued official Festival tipple from the St Austell Brewery. Every morsel of crab was teased out with the pick, not so much as a clove of roasted garlic left behind.

If The Rod & Line’s crab is anything to go by, I can’t wait to make my way through the rest of the menu. Superb, and fantastic value.

The Rod & Line, Church Road, Tideford, Cornwall PL12 5HW, Tel: 01752 851323

Heading Home to Cornwall for the Port Eliot Festival: The Place to Be This Weekend

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Photo courtesy of Port Eliot Festival

No matter where in the world I live or travel, I’m a West Country girl and Cornwall will always be home. Truly, there is no place like it.

This weekend I could not be happier to be heading south for the Port Eliot Festival. Since 2003 Port Eliot has been home to an eclectic arts festival in the enchanting grounds of St Germans, ancestral home of the Earl of St Germans and a beautiful and historically fascinating site with remains dating back over 1,500 years. The house was remodelled in the 18th century by Sir John Soane and unusually both house and Repton-landscaped park are Grade I listed.

I have been struggling to describe the Festival succinctly, yet do justice to its variety. The estate’s website does it perfectly:

Ostensibly a literary festival, however with the feel of a garden party, mixed eclectically with music, fashion, and an alternative flower show.

With each year the Festival has grown in popularity, and is now the hippest place to be this July weekend, attracting a who’s who of up-country fashion and media types.

There are way too many activities to mention. There is genuinely something for everyone, from book readings (eminent Sanskrit scholar and paragliding pioneer Sir Jim Mallinson will be talking to Dominic West about his book Rogue Yogis and the film they’re making together at next year’s Kumbh Mela festival), music and cabaret, to hair, makeup and fashion (a Bumble & Bumble pop-up, Alex Fury’s interview with Mary Katrantzou and a second chance to see her stunning 2011 triptych in its intended location, not to mention the Fashion Dolls’ Teaparty), treasure hunts and wild swimming – or just plain swimming as it was known when I was a child – in the Port Eliot estuary. On Saturday Pamflet are hosting an all-day literary salon in the Wardrobe Department Sipsmith tent on the subject of the Great British Party. The Festival schedule is here, but there will be additional impromptu events throughout the weekend.

But for me the highlights are the live food demonstrations, especially the demos by Michelin starred chefs Angela Hartnett  and Nathan Outlaw.

One of only a handful of female Michelin starred chefs, Angela has recently joined forces with head chef Luke Holder at the gorgeous Lime Wood Hotel in the New Forest to create a brand new restaurant opening in late January. It’s an exciting time for Lime Wood as its sister hotel The Pig – in the Forest has announced two new additions to its porcine family, The Pig – in the Wall – a boutique B&B in Southampton (this autumn) and The Pig – on the Beach in Dorset (next year).

The St. Enodoc Hotel in Rock is home to Nathan’s fabulous 2 Michelin-starred Restaurant Nathan Outlaw. Of all the exceptional food and many Michelin starred dishes I’ve been lucky to experience so far this year, his exquisite tasting menu was easily the most enjoyable. His fish and seafood dishes are quite simply sublime.

Nathan is playing his cards close to his chest as to what he’ll be cooking for us at the Festival, as always his menu will be determined by the best Cornish produce available on the day, cooked just as it should be and packed with flavour. If you want to perfect your own fish skills, or simply learn more about different types of fish and expand your culinary repertoire, his recently published book is invaluable – practical and down-to-earth, yet at the same time inspiring.

If you’re unsure about the camping bit, you have not yet discovered ’boutique camping’, the ultimate in festival chic including luxurious yurts by Yurtel and Hearthworks tipis complete with real mattresses, duvets and Egyptian cotton bedlinen, and – most romantically of all - exquisite handmade gypsy bowtop caravans with Liberty print patchwork curtains.

So what are you waiting for? The Festival is taking a sabbatical next year, so book a ticket (limited availability at the gate), grab your maxi dress and wellies and get down to Cornwall. Really darh-ling, there’s nowhere else to be.

www.porteliotfestival.com

Friday: Adult £35, Child £20
Saturday: Adult £55, Child £30
Sunday: Adult £45, Child £25

LuxeGuru Food & Drink: New Restaurants: Brasserie Blanc Farnham

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Photo courtesy of Brasserie Blanc

I have been travelling so much recently I’ve failed to take in the recent gaps in businesses that are appearing in Farnham and what, with luck, they may mean for Surrey’s restaurant scene. I can tell you about the hippest places to eat in Istanbul and Cappadocia, and incredible Michelin-starred food in Morocco and Mallorca. But when it comes to my own doorstep there’s not much I could tell you. Not until now.

Farnham is a pretty and historic market town, its elegant Georgian architecture saved from 1950s destruction by businessman and early conservationist Charles Borelli. But a gastronomic haven it is not. Aside from the usual litany of voucher-driven chains and a handful of Indian restaurants of varying quality (The Mahaan being the most stylish and consistent), it has little to offer. If you dare to eat after 9pm the choices reduce exponentially as the clock approaches 10. Café Rouge has been known to turn customers away before 9pm (and if you do dine ‘late’, expect Piaf to be accompanied by enthusiastic chair stacking, cutlery clattering, and much squirting of disinfectant). ‘French restaurant’? Non. It’s a pity. Such a great location warrants so much more.

Somehow the veteran Vienna Restaurant & Wine Bar continues to trade. Theory therefore dictates it must be doing something right, but quite what that is eludes me. The last time I dined (admittedly some time ago) I found it overpriced and under par, the crab cakes easily ranking among the most tasteless I’ve eaten and the meal as a whole far short of its smart starched linen table settings. I will not mention The Colony. Unless you have a weakness for greasy, lack-lustre food, are starving and/or inebriated, or have no respect for Chinese cuisine do not set foot inside the door. If you do, you will also pay an utterly inappropriate service charge to staff more interested in feeding themselves than you. Seriously. They have a quaint tradition of sharing evening meals together in-house, but if you’re unlucky may break off to show you to a table.

Conversely, I’m unable to pass by The Bishop’s Table Hotel, which until earlier this year housed Gavin Young’s Bistro 27, without pangs of longing for his superbly fresh and exquisitely cooked Cornish bouillabaisse. Sadly, the restaurant lasted little more than 12 months. Locals I suspect preferred Côte’s more Conservative formula, and despite the Bistro’s newly refurbished restaurant space, the hotel’s visible ecclesiastical association (please, retire the bishop to the garden) and more peripheral location didn’t do it any favours. Farnham’s loss is surely Reading’s gain since Gavin returned to Forburys.

What Farnham desperately needs is a proper, grownup, stylish but relaxed restaurant for people who don’t go to bed at 9pm. No Michelin stars required. Just good food, done well, accompanied by intelligent, friendly service from staff who actually understand hospitality. If that food happens to be French, so much the better. If the man behind the food is Raymond Blanc, it can only be a good thing. So yesterday, while making a dash across Castle Street on the way to the hairdressers, I jumped for joy at the planning application notice in the window of No 5.

The three-storey redbrick will soon be home to Brasserie Blanc Farnham, due to open early next year. 2012 has been a year of incredible expansion for the Brasserie Blanc group, seeing no fewer than four new openings to date, with two more due to open shortly in London’s Charlotte Street and St Albans, in all bringing the total number of restaurants to 20.

Brasserie Blanc’s dishes are created by Raymond with many inspired by his mother, the legendary Maman Blanc, with Clive Fretwell, the group’s executive chef and former head chef at the iconic Le Manoir aux Quat’Saisons overseesing the kitchens. The aim is to provide accessible, unpretentious French food using sustainable, high-quality ingredients at a reasonable price. A champion of organic and sustainable food in the UK for the best part of three decades, last week Raymond became the Sustainable Restaurant Association’s first President.

So if you haven’t yet dined chez Brasserie Blanc, would should you expect? In Raymond’s words:

‘I am often asked what a Brasserie Blanc is. Well if the Manoir is a delicate waltz then the Brasseries are the Can Can. For sure, this is not a place for refined haute cuisine and three course meals. Rather, Brasserie Blanc is a place for relaxed enjoyment where I can offer you simple, high quality food that comes as close as possible to the meals that my mother prepared for me at home in Besançon and at a price that encourages you to visit us regularly. The real origins of French brasseries are lost in time and probably in several litres of beer but nowadays in France they are the bastions of good eating and drinking, locally and informally. I want my Brasserie Blancs to be a central part of the local community where you can have fun and enjoy particularly good food. So sit back and relax’

Brasserie Blanc, 5 Castle Street, Farnham GU9 7HR (coming to Farnham soon)

LuxeGuru Beauty: Spa Review: Coworth Park, Berkshire

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Photos courtesy of Coworth Park

A gentle canter from Ascot, Coworth ParkThe Dorchester’s rural outpost – is not only contemporary, sophisticated, and quirky in a uniquely British way, it’s also one of the UK’s most ground-breaking environmentally friendly hotels, using carbon-neutral fuel from sustainable willow grown on the 240-acre estate.

Nestling neatly into the landscape and overlooking a sublime wildflower meadow, the crescent-shaped, glass-fronted spa is a short stroll or chauffeur-driven electric buggy ride from the Georgian manor house. Constructed from timber and lime hemp, it’s heated and cooled by miles of underground pipes or ‘slinkys’, while the sedum ‘living roof’ is planted with aromatic herbs for use in treatments.

Inside, the spa is crisp, clean-lined and creamy white. Swathes of natural materials like smoked oak and stone, and works of art by up-and-coming British artists give it a warm, therapeutic feel. The eight treatment rooms, stylish Relaxation Room (stocked with lashings of lemon-and-lime and cucumber-and-mint iced water, home-made biscuits, and glamorous coffee table books) and healthy-eating Spatisserie are on the ground floor, while downstairs there’s a small gym and 18m pool (unusually, without child restrictions). Presided over by calm-inducing amethyst geodes, it glows lilac by day with underwater music.

Each treatment room is named after a herb. I’m in Basil, a spacious room with two skylights that more than compensate for its lack of windows. As Coworth is the first spa in the world to offer Dr. Alkaitis facials (alongside Aromatherapy Associates, Carol Joy London, and Kerstin Florian), I’m eager to try the 80-minute two-mask Organic Skin Food Facial (£120). The exfoliating enzyme mask-come-smoothie is packed with oxidant-busting strawberries, blueberries and oats, mixed from powder with fresh honey. It smells divine and is literally good enough to eat, Dr. Alkaitis products being renowned for their reassuringly 100% organic and food-grade ingredients.

The ‘lifting’ massage is where I really start to feel the benefits. Not only is it deliciously soporific (I actually nod off – unheard of for me), acupressure is used to help tone the muscles and plump up the skin, a wonderfully relaxing ritual of delicate fingertip ‘taps’. The second mask targets redness, followed by a rhythmical, flowing décolleté massage. It’s easily the most effective and relaxing facial I have experienced, due also to Ahisha’s skill and attention to detail, and my sensitive, rosacea-prone skin is no walkover. When I look in the mirror, my skin is hydrated and clear, the redness all but gone. I look undeniably more rested and, dare I say it, younger. Best of all, the effects last for days. Even my husband notices.

LuxeGuru was a very happy guest of Coworth Park. 
www.coworthpark.com
Tel: 01344 876600

LuxeGuru Tech: The Perfect Apple iPhone Case by Piel Frama

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Photos courtesy of Piel Frama

I’m often asked where I bought my iPhone case. Mostly because of its fabulous pinkness (grown-up fuchsia not Miss Kitty), before people realise it’s actually a phone case rather than a wallet.

Based in Spain, Piel Frama have been making leather goods since 1945 and produce a range of accessories for tablets, PDAs and phones. The brand’s popular in the US but less well-known over here.

What I like about this design is that it holds my phone + credit cards (slot for 3 cards) + ID + money (clear pocket) all in one place so I don’t leave anything behind when I want to travel light. I often leave home with just this, either in a pochette or carried as is.

I don’t have to remove the phone for use, so it’s always protected, including the screen. And the front and back are padded and reinforced to protect against impact without being too bulky. I also love the quality of the cowskin, which is soft and hard-wearing and doesn’t have that nasty plastic feel.

I won’t pretend it’s cheap – at around £65 (€85 including shipping by TNT) there are certainly less expensive options on the market. But given what I’ve spent on the phone and the repair costs involved in a shattered screen, that has to be good value. Nerdily, I’m also mindful of enhancing my phone’s resale value when it comes to the inevitable upgrade.

I bought my case some time ago from Expansys, at a time when Fuchsia was treated as a bold move from corporate black and tan and required a wait of several months. Happily, Piel Frama now offers a more vibrant colour spectrum and different finishes (including Ostrich and Crocodile) across all its Apple Zone  cases.  I particularly love this Fuchsia Crocodile iPhone case, ordered this evening and hopefully with me in ten days.


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